Between analog and digital photography, my practice has gradually taken shape. Digital established itself as a space of immediacy, while analog found a more material place, where the support itself becomes a field of work. Over time, it is no longer a matter of choosing between two technologies, but of defining what each one makes possible to produce.

Holding a view camera in your hands is feeling every gesture. The bellows stretching, the holder sliding in, the shutter clicking softly… Everything becomes concrete, almost tangible. Each image is the result of a ritual, of deliberate slowness, and the moment the film is exposed to light, you hold in your hands a singular, unique, and tangible work.

How do you sort your photographs? How do you go from hundreds of shots to just one or two printed works? In this blog article, I share my entire selection process.